This is all a horizon broadening exercise. The ego boosting aspect is a little confusing, too. As soon as I look at the reality around me, I wonder why I do what I do.
Once again I ended up doing a couple of solos. Since I knew Cliff was doing a song he hasn't done and maybe it was better not to have me muddling through, I figured I'd just do my thing and that would be that.
Somehow I got moved up to early on the list, and I figured I ought to give another solo foray a shot. Undecided between major and minor key, and drawing a blank on what it was I considered playing when thinking about it yesterday, I pulled out the A minor harp and just hit a chord then started playing and playing and playing some more. I suppose there was a bit of continuity to it, and at least it wasn't a repeat of anything I'd played publicly.
It went over well. Then I pulled out a D harp, used to play A major, and did something different. Most of the time I was figuring out how to slide into this really fast clikity clack thing that just uses a few notes but becomes a fast sharp rhythm. As fast as I can go, and it is a thing that is hard to do, because I have to find a way to breathe during this deal. I did OK, but I felt like I had to go short of what would make it right. I'm working on improving the lungs and all that. No wonder smokers are a dying breed-that stuff could kill you.
So, the major key thing went over big. Maybe my forte is just making it up as I go. Once again it wasn't the usual stuff anyone around here has heard. Some kid asked afterward if I'd sold my soul at the crossroads. It happens he and his brother played ahead of me, and I liked the guy's vocal and understated style of play. A good groove. Now it looks like I may hook up with these guys and who knows. The old man and the boy wonders. I really don't want to be that guy that hangs with the college set.
Except these guys are jammers and playing from a place few people even know is there. Hard to explain, but I think they've got that something extra, and they like the same kind of thing. We'll see.
I'd say the players there tonight were a cut above the usual. It was definitely better quality than the last time. It seems the level of play is improving every time.
A couple more people asked if I'd play on their songs. That is always risky because they tend to play obscure country type tunes I've never heard which have changes that are unnatural to me. They go where I wouldn't if I'd written the song. That's the challenge. That and figuring out what harp is best suited to it. Can't always go by what key it is generally considered to be. Odd stuff is tricky. I faked my way through, and one of them I actually liked. It went OK I guess. At least I got to play one of Cliff's tunes that I know.
I'm either going to have to do work on these harmonicas or replace a few. Those things have become way too expensive. They are listing a friggin Marine Band harmonica for $51.00. They gave a guy a discount and it still cost him 44.00. That is over the top. I'm going to stick with Lee Oskar harps I think, when I get anything. They are high priced as well, but they hold up far better. And for me, I generally like the sound better. Some people don't for their style of play. It does make replacing reed plates seem the better way to go than getting a new instrument. When you factor in all the different keys I use, fifty bucks a pop comes out to a lot of money.
The saddest thing is that I know I'm not a harp player's harp player. I do what I do, and I am fairly good at filling in background without clashing or stepping on the vocals or other parts. But as far as real deal, I never allowed myself to reach my potential. I do think it was there. It honestly confuses me.
I wonder how I'll react when some ultra killer harp player shows up. I'll have to go ahead and play, because it would be bad form to lay out just because someone else has better skills. Like when Magic Dick was on stage with Lee Oskar. He couldn't hang. But he hung in. I was just surprised he didn't have beeter sense on what to play and what not to play. That's where I think I have the edge. I can be out soloed by anyone, but I am more able to find the way to blend than most. But no one is paying me to do it at the moment. And there are times I can't find any way to work it in where it makes sense to me. So hell with it.
These are lean times and I will just do some menial manual labor and get enough to pay gas to and from the job, plus a ration of bread and water.
I'm a yoyo. One minute I am hopeful and optimistic, the next I wonder who I'm kidding and have no faith in myself whatsoever. Until presented with a problem to be solved which is outside of just me.
Sunday, February 19, 2012
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- John0 Juanderlust
- Ballistic Mountain, CA, United States
- Like spring on a summer's day
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