Wednesday, May 9, 2012

Harmonica Endeavors and Semi-Reviews


Blablablablabla...evidently, I am driven to prolific midnight posting.

So, as I listened to the tunes I need to learn, it became evident that either he recalled the wrong keys, or else something made the prescribed key unfit. I do not believe the recording and playback somehow slowed or increased in speed because the one tune that I had been exposed to, so I knew what key was right, worked as it should.

I was able to find the key for most of the songs. On one I found I could use the chromatic with the button in. Is that C#? In other words Db? One was oddly in B, or B was all that would work.

So, I figured it was time to update the harp collection. No matter where I go, Lee Oskar harps, and most other suitable instruments are a lot of money. It turns out that harpdepot.com has the best prices and selection for my purpose.

I've dealt with them in the past and they are reliable and honest. They also sell a little known brand called Bushman. It is a German made brand which doesn't outsource to odd countries, and they make a good harp which lends itself to overblows--the technique which allows you to bend a note up in pitch. Usual bending on harmonica is only down.

The price on these is pretty good and you can replace reed plates like on a Lee Oskar, so I got a few in major keys like Ab, Db, F#, and something else. I also go a Gminor in a Lee Oskar.

They have some cheapo harps that are a bargain but I didn't get them. A set of 12 in a durable case for $40. They send a lot of those overseas to military people, so if you know someone over in the thick of this stuff, let them know and they'll probably send them a cool set of harps.

It sounds like good practice harps. Sometimes a harp that plays but won't quite do what expensive ones do is good for working your ability to coax things so it is a piece of cake when you go to the hotshot harmonica.

I saved nearly $10 each by not getting the Lee Oskars, but I hope I don't regret it. I've had some Bushmans for a long time with good result. The trick is to get the one called Soul's Voice and not the Delta Frost. I've owned both, and the SV is more durable and cleaner sound. The cost is about the same.

For overblows people have been paying over 2 or 3 hundred dollars for customized marine bands and Golden Melody Hohners, and now companies are building them in a similar fashion to custom harps but they are still over $100 for one diatonic harp. Supposedly they overblow well so you can play them chromatically for the most part. Of course you are stuck with that particular key's sound characteristics, but it adds versatility.

Suzuki has come out with one I'd like to try someday. Like the customizers, they use a rosewood comb. I guess they have reeds of the right size and such which do well with the overblow bends, and they claim to be set up out of the box for it. That has to do with how reeds are offset, and zzzzzzz. Sorry, I was putting myself to sleep.

Anyway, I figure I better have the tools since I think the people I'm hooking up with are for real, and it could result in recording more than just for them. I'll know things are good when playing nets out in the black financially. So far it has cost me more to play than I've made. That is generally the case, however, I am beginning to think I may have more worth than that.

What I play is a limited thing, but it is a niche which few people fill, so, in reality, I have a better chance making it pay than most guitar players would, because there are so many of them, and usually they are the frontman. If they need what I do, they very rarely can lay down that track themselves. I'll try at any rate. It seems good female singers, who can sing back up or lead, may also fit a similar demand--but possibly moreso.

One thing for sure, this stuff is becoming highly challenging.

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Ballistic Mountain, CA, United States
Like spring on a summer's day

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